I Saw the Devil [2010]

The Koreans sure know how to make a darn good revenge movie. Kim Jee-Woon, who along with the likes of Park Chan-Wook and Bong Joon-Ho, ranks as one of the most sought after filmmakers working in the country today, has made another interesting entry to that club. The film begins memorably with a petite and vulnerable young lady being brutally murdered by a mysterious vicious-looking drifter (Choi Min-Sik). The girl’s fiancé (Lee Nyung-Hun), who’s a highly skilled special agent, vows to avenge for the murder, and thus ensues a fascinating game of punches and counter-punches between the two blood-thirsty men and a wildly topsy-turvy ride through hell. With each passing moment the movie becomes more and more violent and crazy like the continually upping of the tempo of an orchestra, so much so that it was severely censored for its extreme violence and shocking climax; suffice it to say, the film is not meant for the chicken-hearted. In fact, by the time the movie ends it becomes nearly impossible to differentiate between the “good guy” and the “bad guy”, and therein lies the success of any good revenge thriller. The film boasts of memorable performances by the two men – Choi’s turn as the deliriously vile psychopath was absolutely stupendous, and formed the perfect complement to Lee’s laconic and seemingly placid cop. Interestingly both these actors had already been part of superb vengeance flicks – Oldboy and A Bittersweet Life, respectively.





Director: Kim Jee-Woon
Genre: Thriller/Crime Thriller/Psychological Thriller
Language: Korean
Country: South Korea

Woodstock Villa (2008) Online Movie Free

Starring:

Saif Ali Khan … Himself
Sanjay Dutt … Special appearance
Gulshan Grover
Arbaaz Khan
Neha Oberoi
Sikandar
Sachin Khedekar

Director:

Hansal Mehta

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Tagged: 2008

Sherlock Holmes [2009]

Arthur Conan Doyle’s Sherlock Holmes continues to remain one of the most enduring literary creations and perhaps the single most famous sleuth ever created in the world of literature. The legendary resident of 221B Baker Street has been adapted to cinema and TV numerous times, but never has he received such a wacky image makeover as in Guy Ritchie’s Sherlock Holmes. Here, not only does Holmes have superior intellectual and deductive abilities, he is also a martial arts expert, and he requires all his faculties at full force to combat his antagonist. Robert Downey Jr., who seems to be “in the zone” so to speak, has given a sterling performance as the arrogant, cynical and brilliant Holmes, while Jude Law is decent enough as Dr. Watson. The film’s art-direction is excellent, especially in its recreation of Victorian-era London. Though it has a serpentine plot and delivers a number of twists on its way, it essentially remains a quintessential illustration of “style over substance”; at the end of the day, though immensely entertaining and darkly funny, the same can not be said about its impact or lasting value.





Director: Guy Ritchie
Genre: Thriller/Action/Mystery
Language: English
Country: UK

The Big Clock [1948]

A number of makers of film noirs had a special fascination with the journalism industry it seems. However, though in The Big Clock, the protagonist works for a media corporation owned by the film’s scheming and megalomaniac antagonist, unlike Ace in the Hole or Sweet Smell of Success, its focus was not to provide a searing critique of the industry; rather, what the movie remains in essence is a superb and ingenious thriller. The film boasts of a labyrinthine plot that would require pages to fully describe, so suffice it to say, it’s about a guy who ends up leading a murder investigation with the irony being that the guy who’s been narrowed down as the prime suspect is he himself. He therefore doesn’t just need to conduct a parallel investigation of his own to find the real criminal, but also must stay one step ahead of those part of the investigation team. The brilliant script filled the deliriously convoluted cat-and-mouse storyline with great suspense buildup coupled with exemplary pacing, thus providing us with a nail-biting, thrill-a-minute ride. Ray Milland was excellent as a good man caught in a hellish situation, but the show-stealer performance was given by Charles Laughton – his turn as the tyrannical and power-wielding media mogul with a bizarre fascination for watches, was tour de force stuff to say the least.





Director: John Farrow
Genre: Thriller/Film Noir
Language: English
Country: US

12 Monkeys [1995]

Terry Gilliam is renowned for his incredible sci-fi satire Brazil. 12 Monkeys, though not of the same caliber, nonetheless remains a competent sci-fi set in a dystopian timeframe. A dark and intense examination of the meaning of “madness” and how its definition varies from person to person, the movie is about time-traveller James Cole (Bruce Willis), a prisoner in the future, being sent to the past to unravel the origin of and possibly thwart the virus attack that has wiped out nearly the entire humanity. Upon his journey to past he befriends a sympathetic psychiatrist (Madeleine Stowe) who, initially reluctantly and later willingly, becomes his only ally, and also the mad, rabble-rousing son (Brad Pitt) of a world-famous biochemist. The film delivers the goods in creating an atmosphere that is filled to its brim with grime and grunge, which in turns helps in holding our attention despite the plot not being its biggest strength. Bruce Willis, as the time-traveller on the verge of insanity and perpetually plagued by a sense of déjà vu (through his recurring dreams), gave a solid performance, as did the beautiful Madeleine Stowe; the show however was befittingly stolen by Brad Pitt for his gleefully over-the-top supporting turn. Though not a great film per se, over the years it has managed to gain considerable cult following.





Director: Terry Gilliam
Genre: Thriller/Sci-Fi
Language: English
Country: US