Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
Monday, July 18, 2011
#LyricallyYours Wednesdays "Pilot Of Humanity" - Writing4MyLife
Peace*Love&Spaceships
iLL ORANGE Prophet
Twitter@ILLPROPHET
TUMBLRiLLProphet.Tumblr.com
iLL Prophet Facebook FanPageiLL Prophet
iLL Prophet Blog -www.ILLPROPHET.blogspot.com
Labels:
poetry
#LyricallyYours Wednesdays "Pilot Of Humanity" - Writing4MyLife
Peace*Love&Spaceships
iLL ORANGE Prophet
Twitter@ILLPROPHET
TUMBLRiLLProphet.Tumblr.com
iLL Prophet Facebook FanPageiLL Prophet
iLL Prophet Blog -www.ILLPROPHET.blogspot.com
Labels:
poetry
Sunday, June 19, 2011
Remembering Cheryl B.
I'm too sad to be coherent at the moment. Maybe it was naive or stupid or just wishful thinking but I was sure Cheryl would pull through. And I didn't let myself think too much about the fact that she might not, I just couldn't, though maybe part of being an adult is facing that. I didn't visit as often as I could have, but I thought of Cheryl often the past few months.
When I visited her a few months ago she showed me the honey badger video, which I hadn't seen, and then right after that I saw this t-shirt on my coworker's desk, and ordered one and gave it to Cheryl. When I got to the ICU, I was struck with this feeling of stupidity; maybe she would have to just wear a hospital gown and I shouldn't have gotten it. I realize now that I let my fear of not knowing what to say, of being nervous and uncertain, get in the way of telling my friend how much I cared about her. I hope to never be in that situation again but if I am, I'm gonna get over myself, and right now I'm trying to both take care of myself and not just wallow in sadness, reach out to my friends and loved ones, and live life as fully as Cheryl did.
But you know what this reinforces for me? "Everything happens for a reason" is total, complete bullshit. There is no reason for this to have happened and the only positive things I can say are that I'm glad Cheryl is no longer suffering, and sharing memories about her and just "I'm sad/mad too" sentiments is...something. Not heartening and not cheerful but comforting, I guess.
Anyway, I'm sitting in Starbucks at Grand Central, surrounded by bags of stuff that feel really useless, crying and blowing my nose and traversing the internets, after having fallen asleep so hard on the train a stranger had to wake me up to tell me we were here. I got some coffee and am trying to edit other people's stories but can't seem to get anywhere.
Speaking of my stuff, tomorrow my organizer is coming over for a session. I was supposed to have either bought a dresser or gotten rid of the 4 giant bags of clothes we gathered for giving away a few months ago. I haven't done either yet. But it reminds me of this one time Cheryl brought her cat over to help catch mice. The cat got lost in my two bedroom apartment and we were looking all over and it was crazy hot. We found dollar bills that had been eaten by mice and I think Cheryl was a little annoyed that her cat might have gotten lost in my home (we found the cat under my bed, caught in the netting). "This place looks like a crack house, and I would know," she said. It was funny but caustic, and, yes, true (well, I'm gonna assume it's true, never having been in a crack house). I think she'd like to know that I'm gonna part a little more freely with some of my stuff, at least, I hope I will. The stuff that matters is what's on the inside. I know that, much as I might surround myself with belongings, and I hope to be someone who privileges people over possessions. That's part of my goal in this year of transformation.
I wanted to share this beautiful tribute to Cheryl Kathleen Warnock of Drunken! Careening! Writers! wrote. DCW is a pioneering, amazing reading series and I'm posting details about Thursday's reading there. My favorite part of Kathleen's post:
She had a dayjob until a couple years ago, then got downsized along with a significant chunk of the American workforce. She pieced out a living from freelancing and editing (she was a very good editor), and while the unemployment was difficult, it was hardly a period of lying fallow. She got a lot of writing done, and her name appeared on a lot of articles and blogs, and when she came to DCW, she read pieces of her memoir, which she called “When I Knew Everyone on Avenue A.” There was a piece about when she decided not to drink anymore. A piece about her father throwing a plate at her across the dinner table. She performed in a multi-media piece downtown with some other poets at the Flea Theater, in an evening curated by Regie at full glamour. It was marvelous.
We saw each other often, at readings, panels, birthdays, the occasional “at home” at her apartment in Brooklyn, where a salon of queer divinity often reigned. While the accent was on queer, it was talent that got you in the door with Cheryl, and labels were the last thing she judged you by. As someone who had identified as bi, she occasionally took some pushback from people who demanded she pick one side or the other. She told me once a guy asked her what PERCENTAGE she was (which seems to me just the kind of question a lot of guys would ask) and she said answered: “75/25 women/men” and then commented that she answered so quickly, she knew it was true.
Is that not a brilliant memoir title? I hope we get to read it. From Cheryl's site:
When I Knew Everyone on Avenue A is Cheryl B.’s personal, irreverent take on New York City in the 1990s. In this humorous one-woman spoken word/storytelling presentation, Cheryl offers up bits of her twenty-something existence; logic-defying relationships, sexual bewilderment, artistic experimentation, fleeting friendships, the death of her father, high doses of self-medication and ultimately, sobriety. While in the background, some of her beloved NYC haunts fade into relics.
This is an amazing lineup - I'm looking forward to reading Bob Smith's novel Remembrance of Things I Forgot, which has been waiting for me in its beautiful hardcover, beckoning me.
Drunken! Careening! Writers!
Isa Coffey
Joel Derfner
Jenifer Levin
Bob Smith
"Glitter and Be Gay"
Thursday, June 23, 7pm
KGB Bar
85 E. 4th St.
FREE
Kathleen posted this video of Cheryl reading and it's so quintessential Cheryl. She had this tough girl voice and style of reading, even though she was wiry and didn't "look" tough. She was one of the first slam poets I saw read. When I first met her, she wasn't sober, and I don't know how much to say about that, plus that was a looooong time ago so some details are fuzzy, but we always laughed about one particularly crazy encounter with a boy who is long forgotten. Anyway, enjoy this video:
And I found the photo below at Sugarbutch Chronicles, taken by Syd London, of Cheryl looking as fierce and glam and gorgeous as she could.
When I visited her a few months ago she showed me the honey badger video, which I hadn't seen, and then right after that I saw this t-shirt on my coworker's desk, and ordered one and gave it to Cheryl. When I got to the ICU, I was struck with this feeling of stupidity; maybe she would have to just wear a hospital gown and I shouldn't have gotten it. I realize now that I let my fear of not knowing what to say, of being nervous and uncertain, get in the way of telling my friend how much I cared about her. I hope to never be in that situation again but if I am, I'm gonna get over myself, and right now I'm trying to both take care of myself and not just wallow in sadness, reach out to my friends and loved ones, and live life as fully as Cheryl did.
But you know what this reinforces for me? "Everything happens for a reason" is total, complete bullshit. There is no reason for this to have happened and the only positive things I can say are that I'm glad Cheryl is no longer suffering, and sharing memories about her and just "I'm sad/mad too" sentiments is...something. Not heartening and not cheerful but comforting, I guess.
Anyway, I'm sitting in Starbucks at Grand Central, surrounded by bags of stuff that feel really useless, crying and blowing my nose and traversing the internets, after having fallen asleep so hard on the train a stranger had to wake me up to tell me we were here. I got some coffee and am trying to edit other people's stories but can't seem to get anywhere.
Speaking of my stuff, tomorrow my organizer is coming over for a session. I was supposed to have either bought a dresser or gotten rid of the 4 giant bags of clothes we gathered for giving away a few months ago. I haven't done either yet. But it reminds me of this one time Cheryl brought her cat over to help catch mice. The cat got lost in my two bedroom apartment and we were looking all over and it was crazy hot. We found dollar bills that had been eaten by mice and I think Cheryl was a little annoyed that her cat might have gotten lost in my home (we found the cat under my bed, caught in the netting). "This place looks like a crack house, and I would know," she said. It was funny but caustic, and, yes, true (well, I'm gonna assume it's true, never having been in a crack house). I think she'd like to know that I'm gonna part a little more freely with some of my stuff, at least, I hope I will. The stuff that matters is what's on the inside. I know that, much as I might surround myself with belongings, and I hope to be someone who privileges people over possessions. That's part of my goal in this year of transformation.
I wanted to share this beautiful tribute to Cheryl Kathleen Warnock of Drunken! Careening! Writers! wrote. DCW is a pioneering, amazing reading series and I'm posting details about Thursday's reading there. My favorite part of Kathleen's post:
She had a dayjob until a couple years ago, then got downsized along with a significant chunk of the American workforce. She pieced out a living from freelancing and editing (she was a very good editor), and while the unemployment was difficult, it was hardly a period of lying fallow. She got a lot of writing done, and her name appeared on a lot of articles and blogs, and when she came to DCW, she read pieces of her memoir, which she called “When I Knew Everyone on Avenue A.” There was a piece about when she decided not to drink anymore. A piece about her father throwing a plate at her across the dinner table. She performed in a multi-media piece downtown with some other poets at the Flea Theater, in an evening curated by Regie at full glamour. It was marvelous.
We saw each other often, at readings, panels, birthdays, the occasional “at home” at her apartment in Brooklyn, where a salon of queer divinity often reigned. While the accent was on queer, it was talent that got you in the door with Cheryl, and labels were the last thing she judged you by. As someone who had identified as bi, she occasionally took some pushback from people who demanded she pick one side or the other. She told me once a guy asked her what PERCENTAGE she was (which seems to me just the kind of question a lot of guys would ask) and she said answered: “75/25 women/men” and then commented that she answered so quickly, she knew it was true.
Is that not a brilliant memoir title? I hope we get to read it. From Cheryl's site:
When I Knew Everyone on Avenue A is Cheryl B.’s personal, irreverent take on New York City in the 1990s. In this humorous one-woman spoken word/storytelling presentation, Cheryl offers up bits of her twenty-something existence; logic-defying relationships, sexual bewilderment, artistic experimentation, fleeting friendships, the death of her father, high doses of self-medication and ultimately, sobriety. While in the background, some of her beloved NYC haunts fade into relics.
This is an amazing lineup - I'm looking forward to reading Bob Smith's novel Remembrance of Things I Forgot, which has been waiting for me in its beautiful hardcover, beckoning me.
Drunken! Careening! Writers!
Isa Coffey
Joel Derfner
Jenifer Levin
Bob Smith
"Glitter and Be Gay"
Thursday, June 23, 7pm
KGB Bar
85 E. 4th St.
FREE
Kathleen posted this video of Cheryl reading and it's so quintessential Cheryl. She had this tough girl voice and style of reading, even though she was wiry and didn't "look" tough. She was one of the first slam poets I saw read. When I first met her, she wasn't sober, and I don't know how much to say about that, plus that was a looooong time ago so some details are fuzzy, but we always laughed about one particularly crazy encounter with a boy who is long forgotten. Anyway, enjoy this video:
And I found the photo below at Sugarbutch Chronicles, taken by Syd London, of Cheryl looking as fierce and glam and gorgeous as she could.
Labels:
Cheryl B,
Drunken Careening Writers,
free reading,
poetry,
sad
Saturday, June 18, 2011
"New York Girl" by Cheryl B.
I'm sad and stunned that my friend Cheryl B. is no longer with us. I hate that I can link to her website but can't give her a hug. She was full of spark and passion and is an example to me of someone who saw how she wanted to change her life, and did it. Here is her poem "New York Girl." If you want to read about the last part of her life, her cancer blog WTF Cancer Diaries is something. She was one of the first people I met in the queer writing scene and we had some crazy times and some fun times and I don't have anything else to say except that I will miss her and her death is so unfair.

She's got the click of fierce heel hitting blacktop
She's got sarcasm dripping from the tip of her tongue
She's got a bra made out of steel and panties made out of licorice
She's got a vibrator in her pocket and she's very elusive to see you
She's got that tri-state area glow and a laugh that comes out of nowhere
She's got a voice like a cannon and lips that unravel like spools of silk
She's got a body that curves like the beauty of the open road
She's got Polaroids of herself floating about this city, wearing
nothing but her pet snake
She's got no problem with that
She's got that edge, you know that edge, she's got that leather cuffs
in the top drawer of her dresser, hot wax dripping onto warm flesh
kind of edge
She's a New York girl with a flask full of courage and determination
cocktail strapped to her left hip bone
She's got important aspects of your psyche drowning in the milky
ocean of her complexion
She's got various parts of your anatomy tied up and quivering
in her fist and you're going to have to play a little game to get them
back.
She's got the click of fierce heel hitting blacktop
She's got sarcasm dripping from the tip of her tongue
She's got a bra made out of steel and panties made out of licorice
She's got a vibrator in her pocket and she's very elusive to see you
She's got that tri-state area glow and a laugh that comes out of nowhere
She's got a voice like a cannon and lips that unravel like spools of silk
She's got a body that curves like the beauty of the open road
She's got Polaroids of herself floating about this city, wearing
nothing but her pet snake
She's got no problem with that
She's got that edge, you know that edge, she's got that leather cuffs
in the top drawer of her dresser, hot wax dripping onto warm flesh
kind of edge
She's a New York girl with a flask full of courage and determination
cocktail strapped to her left hip bone
She's got important aspects of your psyche drowning in the milky
ocean of her complexion
She's got various parts of your anatomy tied up and quivering
in her fist and you're going to have to play a little game to get them
back.
Thursday, April 28, 2011
New essays up at Modern Love Rejects and Thought Catalog
I have two new essays that, coincidentally, both went up today.
One is at the new site Modern Love Rejects. It's called "The Unlikely Other Woman." It feels dated to me, because it's from a while ago, but as part of my new try, try, try again attitude, I thought it fitting to send a piece that's in part about rejection to a site about rejection.
I thought I was too smart to get hurt, which was my ultimate downfall. There’s no such thing as “too smart” when it comes to love; it’s the great intelligence equalizer. Why else would Nikki Giovanni have a poem addressing precisely this scenario called “I Would Not Be Different.” I grabbed it off the shelf at my local bookstore, one where we’d even had a date, where he’d kissed me between the stacks. I was desperate for a sense of community of fellow women who were not smart enough to evade the charm of the married man. “You sort of see someone/And you don’t want to notice/That ring on his finger/Nor really that sort of happy/Look in his eyes,” she writes. I thought he could be happy with her—and me—and that I could be too.
And that local bookstore is that fantabulous WORD, where I got some amazing books and ogled cute items last night. More on that later. But since it's still National Poetry Month, I'll recommend you check out that stunning Nikki Giovanni book, Bicycles: Love Poems. I kept that book in my bag for a long time and would read it almost daily. Yes, it helped.

The other essay has a crazy long title, and I'm really happy with it. Some of it is about the fact that social media is, well, social, and is a counterpoint to some of the people who think it's not. I described it on Twitter as being about "art appreciation, theater, iPhones, Flickr, 4square, Nirvana, David Carr, technology & more." That pretty much sums it up, I think. Please read it and, if you're so inclined, pass it along. I'm honored to have my work published their because I love what they're doing. Do make sure to check out their Love & Sex section. I have my eye on some pieces for Best Sex Writing 2012 (no decisions have been made on that book yet, as I'm wrapping up Best Bondage Erotica 2012 and madly reading reading reading).
"Why I Had My iPhone In My Hand While Viewing The Nirvana Exhibit At Experience Music Project"
I can contrast my visit to EMP with the other Seattle Center cultural offering I took in, a matinee of the play This at Seattle Rep, a few minutes’ walk away. There were plenty of moments in the play I found noteworthy, from the married man who tells the woman with whom he had a one-night stand, “You invade my psyche,” to the game the other characters play with Jane, whereby she leaves the room and has to guess the story they’ve made up, using only yes and no questions. Only there is no story, save for the one she spins, and she is the last one in on the not-so-funny (to her) joke. Unlike the museum, except for perhaps the video interview sections, the play moved too quickly to capture except by memory.
Both ways of processing and responding to art with simply our eyes and ears, or with the aid of technology, or perhaps pen and pencilæare, I believe are necessary. Any time I walk into a museum, a theater, or even a park, or open a book or visit a website, I am hoping that something I find there will leave me changed and different than I was before I ventured into that space. My photos (which you can see here) don’t tell a whole story, mine or the museum’s, so much as offer a tease, a glimpse into what stood out for me during my two hours in EMP. They aren’t meant to replace or stand in for the exhibit.
Read the whole thing
One is at the new site Modern Love Rejects. It's called "The Unlikely Other Woman." It feels dated to me, because it's from a while ago, but as part of my new try, try, try again attitude, I thought it fitting to send a piece that's in part about rejection to a site about rejection.
I thought I was too smart to get hurt, which was my ultimate downfall. There’s no such thing as “too smart” when it comes to love; it’s the great intelligence equalizer. Why else would Nikki Giovanni have a poem addressing precisely this scenario called “I Would Not Be Different.” I grabbed it off the shelf at my local bookstore, one where we’d even had a date, where he’d kissed me between the stacks. I was desperate for a sense of community of fellow women who were not smart enough to evade the charm of the married man. “You sort of see someone/And you don’t want to notice/That ring on his finger/Nor really that sort of happy/Look in his eyes,” she writes. I thought he could be happy with her—and me—and that I could be too.
And that local bookstore is that fantabulous WORD, where I got some amazing books and ogled cute items last night. More on that later. But since it's still National Poetry Month, I'll recommend you check out that stunning Nikki Giovanni book, Bicycles: Love Poems. I kept that book in my bag for a long time and would read it almost daily. Yes, it helped.
The other essay has a crazy long title, and I'm really happy with it. Some of it is about the fact that social media is, well, social, and is a counterpoint to some of the people who think it's not. I described it on Twitter as being about "art appreciation, theater, iPhones, Flickr, 4square, Nirvana, David Carr, technology & more." That pretty much sums it up, I think. Please read it and, if you're so inclined, pass it along. I'm honored to have my work published their because I love what they're doing. Do make sure to check out their Love & Sex section. I have my eye on some pieces for Best Sex Writing 2012 (no decisions have been made on that book yet, as I'm wrapping up Best Bondage Erotica 2012 and madly reading reading reading).
"Why I Had My iPhone In My Hand While Viewing The Nirvana Exhibit At Experience Music Project"
I can contrast my visit to EMP with the other Seattle Center cultural offering I took in, a matinee of the play This at Seattle Rep, a few minutes’ walk away. There were plenty of moments in the play I found noteworthy, from the married man who tells the woman with whom he had a one-night stand, “You invade my psyche,” to the game the other characters play with Jane, whereby she leaves the room and has to guess the story they’ve made up, using only yes and no questions. Only there is no story, save for the one she spins, and she is the last one in on the not-so-funny (to her) joke. Unlike the museum, except for perhaps the video interview sections, the play moved too quickly to capture except by memory.
Both ways of processing and responding to art with simply our eyes and ears, or with the aid of technology, or perhaps pen and pencilæare, I believe are necessary. Any time I walk into a museum, a theater, or even a park, or open a book or visit a website, I am hoping that something I find there will leave me changed and different than I was before I ventured into that space. My photos (which you can see here) don’t tell a whole story, mine or the museum’s, so much as offer a tease, a glimpse into what stood out for me during my two hours in EMP. They aren’t meant to replace or stand in for the exhibit.
Read the whole thing
Sunday, March 20, 2011
i feel i can no longer remain silent
don't answer
listen
never listen
an apology
is an excuse
never mind
time wasted
and i beg your pardon
a common misunderstanding
quite forgotten
eyes out
pearls of no wisdom
all eyes forward
complete attention
the way of the flesh
and the way of all things
is that understood?
all that noise
and jolly promise
no evil in that
no bad intentions
no ill will
and feeling no pain
no more
and i thought-
that is to say-
say no more
poisonous aching unknown
don't answer
it is what it is
suck it up
keep in it check
a momentary lapse
of reason
of judgment
and nothing
of consequence
a crazy scheme
a fool's errand
don't break the chain
don't break the silence
say nothing
forget it
that is all.
listen
never listen
an apology
is an excuse
never mind
time wasted
and i beg your pardon
a common misunderstanding
quite forgotten
eyes out
pearls of no wisdom
all eyes forward
complete attention
the way of the flesh
and the way of all things
is that understood?
all that noise
and jolly promise
no evil in that
no bad intentions
no ill will
and feeling no pain
no more
and i thought-
that is to say-
say no more
poisonous aching unknown
don't answer
it is what it is
suck it up
keep in it check
a momentary lapse
of reason
of judgment
and nothing
of consequence
a crazy scheme
a fool's errand
don't break the chain
don't break the silence
say nothing
forget it
that is all.
Labels:
poetry
Saturday, November 20, 2010
i am kissing you goodnight
i found this on my computer while doing one of my routine searches of writing so that i can make myself feel badly about everything i've left unfinished. i'm not sure if this is something i completed or not. it was, as far as i can tell, written in early to mid-july 2009 and i can't for the life of me figure out where it came from. in fact, other than the title seeming familiar, i have no idea what it is, what it was written about or what i intended to do with it. nor do i have any idea what i will do with it now that i've found it. so i'll put it here and hopefully that will remind me of its existence from time to time.
I am kissing you goodnight
Old sickness, or new,
Cool real and bathing my red eyes
Moon’s water reflection
Of anything I once believed I wanted,
Passed into boxes
And dying of neglect in their corners.
I slept last night with alligators
Kings of the black water
Unchanged in all memory,
Patrolling guards
Invincible and perfect;
Time gives all the armour needed
And instinct does the rest.
All eyes turned then to the celestial shift
Some meaningless supernova
A million years ago
Dispersed into quasars, message broken
Gone to static.
All the sweaty words
Ringing promises or flippant jokes
Breaking points and breakthroughs
Drained of hope
Of life
Of beauty
Scattered to nothing
The world would be no different without.
I am kissing you goodnight
Old sickness, or new,
Cool real and bathing my red eyes
Moon’s water reflection
Of anything I once believed I wanted,
Passed into boxes
And dying of neglect in their corners.
I slept last night with alligators
Kings of the black water
Unchanged in all memory,
Patrolling guards
Invincible and perfect;
Time gives all the armour needed
And instinct does the rest.
All eyes turned then to the celestial shift
Some meaningless supernova
A million years ago
Dispersed into quasars, message broken
Gone to static.
All the sweaty words
Ringing promises or flippant jokes
Breaking points and breakthroughs
Drained of hope
Of life
Of beauty
Scattered to nothing
The world would be no different without.
Labels:
poetry
Wednesday, August 4, 2010
untitled
whenever i haven't had enough time to dedicate to creative pursuits and, as a consequence, feel my creative instincts have withered somewhat, that's when i write poetry. (also, when i'm "excitable" or "edgy" or any of those other words that serve as a code for "i have no attention span".) i find it's a way of getting myself writing without having to burden what i'm doing with too much structure.
of course today, i set myself the challenge of writing a poem with rhyme, which is something i've never done before (or at least, not as an adult). and below is what i ended up with.
the end result is a little too similar in sound to sylvia plath's "daddy". subject-wise and tone-wise it's different enough and it's not like she's the only person to use that rhyme scheme (and even then, she uses it irregularly), but my own admiration for that poem is strong enough and well-known enough that denying its influence would be futile.
so i'm left with this little thing, which would probably remain in my vault untouched until the end of time except that i'm giving it a little portion of internet space in which to exist and be seen by others.
Scrutinised fully
A heart that’s unholy
A face made of lies
Smiles untrue
And whispers temptation
Conveys indignation
And promises nothing for you
For you
How unlucky now
To be you.
What once seemed endearing
Has always been veering
To a black sea
Of sludge and of goo
No wining and dining
Can quell the great pining
For the baby
Who changed into you
To you
The soul that calls out
Now to you.
That memory unfettered
Of a moment together
In passing before you outgrew
The pleasure of others
And saw they were smothered
In the lightless trench
Left to be you
Be you
The shelled snail we’ve
Come to call you.
That warbling song wafting
To your ears is the laughing
Of the visitors
Come to your zoo
But no amount of attention
Can forestall the destruction
Of the hologram
That claims to be true
Be true
Who passes to others
For you.
of course today, i set myself the challenge of writing a poem with rhyme, which is something i've never done before (or at least, not as an adult). and below is what i ended up with.
the end result is a little too similar in sound to sylvia plath's "daddy". subject-wise and tone-wise it's different enough and it's not like she's the only person to use that rhyme scheme (and even then, she uses it irregularly), but my own admiration for that poem is strong enough and well-known enough that denying its influence would be futile.
so i'm left with this little thing, which would probably remain in my vault untouched until the end of time except that i'm giving it a little portion of internet space in which to exist and be seen by others.
Scrutinised fully
A heart that’s unholy
A face made of lies
Smiles untrue
And whispers temptation
Conveys indignation
And promises nothing for you
For you
How unlucky now
To be you.
What once seemed endearing
Has always been veering
To a black sea
Of sludge and of goo
No wining and dining
Can quell the great pining
For the baby
Who changed into you
To you
The soul that calls out
Now to you.
That memory unfettered
Of a moment together
In passing before you outgrew
The pleasure of others
And saw they were smothered
In the lightless trench
Left to be you
Be you
The shelled snail we’ve
Come to call you.
That warbling song wafting
To your ears is the laughing
Of the visitors
Come to your zoo
But no amount of attention
Can forestall the destruction
Of the hologram
That claims to be true
Be true
Who passes to others
For you.
Labels:
kate macdonald,
poetry
Friday, April 9, 2010
the lively arts
poetry is one of those forms that a lot of people find difficult to evaluate. the difference between william carlos williams and the kid in your grade one class who used to eat his paste can be a very fine one indeed.
people who take poetry seriously and who want to hone their poet's skills have found a new home on the internet, though. there are a plethora of sites where they can receive feedback, constructive criticism and encouragement from their peers. what a relief for those of us who grew up thinking that the poetry gene was inextricably linked to the dying alone and miserable gene.
below, i've excerpted some of the feedback on various poems from one such site, so any of you interested in participating in this sort of forum can see what you're in for. i have removed any names that were given and any reference to the specific site, as i don't want to make it seem like i am targeting one particular forum. no other edits have been made, it's just copy and paste.
THE EPITOMY OF WHAT POETRY SHOULD BE, (STANDING OVATION) ANYONE ONE SAYS ELSEWISE IS ENVIOUS IS ALL.. BRAVO MY DARLING
this reminds me of all my writing i keep in two big rubbermaid totes, and i always said if I die ill let everyone see them
Great poem. I especially like all of it. Bravo!
yr pom suks
WHat the fuck, u fuckin idiot, go shoot yourself u fucking useless piece of motherfucking cocksucking shit. u can burn in fucking hell and have even more pain than u do . trust me, fuck you
yeah I was just stating what it was from. The rest of you are the hight of douchebaggery
what a fag who writes GAY!!!!!!!!!!!!!!!
this fuckin sux and you kno dont b mean to that 12 yerold cause u have no dick cus satan bit it off
ur head is broken, mind rapist.
ur weirdly retarded, if you want my take on it honey bunz.
people who take poetry seriously and who want to hone their poet's skills have found a new home on the internet, though. there are a plethora of sites where they can receive feedback, constructive criticism and encouragement from their peers. what a relief for those of us who grew up thinking that the poetry gene was inextricably linked to the dying alone and miserable gene.
below, i've excerpted some of the feedback on various poems from one such site, so any of you interested in participating in this sort of forum can see what you're in for. i have removed any names that were given and any reference to the specific site, as i don't want to make it seem like i am targeting one particular forum. no other edits have been made, it's just copy and paste.
THE EPITOMY OF WHAT POETRY SHOULD BE, (STANDING OVATION) ANYONE ONE SAYS ELSEWISE IS ENVIOUS IS ALL.. BRAVO MY DARLING
this reminds me of all my writing i keep in two big rubbermaid totes, and i always said if I die ill let everyone see them
Great poem. I especially like all of it. Bravo!
yr pom suks
WHat the fuck, u fuckin idiot, go shoot yourself u fucking useless piece of motherfucking cocksucking shit. u can burn in fucking hell and have even more pain than u do . trust me, fuck you
yeah I was just stating what it was from. The rest of you are the hight of douchebaggery
what a fag who writes GAY!!!!!!!!!!!!!!!
this fuckin sux and you kno dont b mean to that 12 yerold cause u have no dick cus satan bit it off
ur head is broken, mind rapist.
ur weirdly retarded, if you want my take on it honey bunz.
Labels:
literary criticism,
poetry
Wednesday, July 15, 2009
Ode To Writers Block
"I really must update my blog.
Part IV of "Five Stories" must be told.
But thoughts are cluttered and blocked
as I sit here wishing it was cold.
See, I hate the heat of Summer.
Winter motivates me more.
Then maybe I could find consistency
beginning with "Five Stories - Part IV"
As you can see, I'm not a poet,
but thought it might be clever
to share with you a blog in rhyme
For today, rather than never!
"God, put thoughts inside my head!
Can you not hear me pray?
Motivate me to write more!"
But hey, at least I posted something today!"
There! I posted a blog! Happy?
Part IV of "Five Stories" must be told.
But thoughts are cluttered and blocked
as I sit here wishing it was cold.
See, I hate the heat of Summer.
Winter motivates me more.
Then maybe I could find consistency
beginning with "Five Stories - Part IV"
As you can see, I'm not a poet,
but thought it might be clever
to share with you a blog in rhyme
For today, rather than never!
"God, put thoughts inside my head!
Can you not hear me pray?
Motivate me to write more!"
But hey, at least I posted something today!"
There! I posted a blog! Happy?
Labels:
poetry,
writers block